Community Now

Neither pre- nor post-, but with-COVID. And so we find ourselves in the messy middle. While debate rages on about whether and how to reopen for business, how to reopen for life really, artists are navigating uncharted territory in an effort to not only survive, but thrive. 

Artists and creators do plenty of work in solitude. That’s often when the magic happens, during periods of deep work without distraction. But then comes the time for an artist to show their work and find out how, and if, it has any impact on the viewer. What hits? What falls flat? What is just…meh?

With galleries and museums closed, artists suspending studio visits, and group critiques moving online, I have spent more time exploring creative expression and innovation on Twitter and Instagram. Artistic communities are pivoting and amplifying their online presence, and this is encouraging heightened conversation and engagement among artists and art lovers alike. 

Here are several such groups and individuals:

NYC Street Photography Collective (NYCSPC) fosters conversation and exploration of photographing life on the streets of NYC and beyond. With New York “on Pause”, the collective has increased their online presence by featuring the work of street photographers on their Instagram, holding group member print sales, and moving monthly critiques from their physical gallery in Brooklyn to Zoom. They recently launched a YouTube channel to showcase a variety of photographers discussing their approaches to documenting life in the streets. While I miss NYCSPC monthly meet-ups to photograph street life and in-person crits, I admire their commitment to the community via these virtual events.

B&H Photo Video of New York, NY

B&H Photo has transformed their Event Space from physical location in Midtown Manhattan to a streaming space online. Their calendar features events hosted by guest photographers and B&H employees who lead workshops on lighting, editing software, how to find your creative voice, and more. Photographers like Derek Fahsbender actively promote and participate in these events in an effort to foster continued interest in photography, compare/contrast gear, and encourage fellow creators not to lose their way artistically during this slog of a shutdown.

Sonia Goydenko, street photographer and instructor, founded @showmeyourduds to highlight how we can learn from failure. It is an examination of the work behind the work. Photographers are encouraged to submit a series of photos, showing both the losing and winning images, along with a narrative explaining how they arrived at the final image. The value in learning from others’ creative processes and how they work through failure transcends any isolation order or economic halt.

MoMA & Coursera Partnership

Museums are innovating and offering access to works and texts rarely seen. From Twitter super-user and self-described “picture geek” Andy Adams, I learned about Seeing Through Photographs from MoMA via Coursera. Course materials include scans of text and photographic plates, links to artist interviews and short films, and live discussions (April 30th’s event featured Sarah Meister in discussion with Sally Mann regarding the new exhibition of Dorothea Lange’s images at MoMA). Since I’ve lessened my photo treks through NYC these days, it seemed an ideal time to brush up on photographic history, explore underrepresented artists’ work, and improve my visual comprehension. The course has pushed me to re-examine images more critically while continuing my exploration of photographing New York City.

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For those of you joining our global movement in support of artists and makers, here’s the logo and text on both the page (swipe to see) and below for reposting to your clipboard. You can also copy and paste these from my website, follow link in bio. Due to the COVID-19 pandemic, many artists around the world have found themselves without work, teaching, technical support, gallery work, exhibitions and sales have disappeared. In an attempt to help alleviate some of this stress @matthewburrowsstudio has instigated the #artistsupportpledge The concept is a simple one. You post images of your work to sell for no more than $200 (£200, €200, ¥20000) each (not including shipping.) Anyone can then buy the work. Every time you reach $1000 of sales you pledge to buy another artist's work for $200. So make a pledge and post your work using #artistsupportpledge and follow the #. keep updated on news and further opportunities @artistsupportpledge Repost and tell your friends, colleagues and collectors. For a users guide please see the HOW TO posts @artistsupportpledge Artist Support Pledge is a generous culture in support of artists and makers. ©️and ™️ 2020 Matthew Burrows all rights reserved. #supportingartists #covi̇d19 #coronavirus #livegenerously #agenerousculture #culture #generosity #art #makers #framers #livecreatively #exhibtgenerosity #weareone #generosityisinfectious #unityindiversity #neweconomy #supportartists @craftscouncil @matthewburrowsstudio

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Artist Matthew Burrows founded @artistsupportpledge (ASP), a way for artists to promote the discovery and sale of their art. Artists post works on Instagram for $200 maximum and use the hashtag #artistsupportpledge. After selling at least $1000 of their own work, participating artists commit to spend 20% on purchases from other participating artists. I discovered the movement via artist David King. King has produced a plethora of works over the past several weeks at prices far below the prices his works typically command. King’s ASP works sell so quickly I have not been able to snag one for myself (yet). He also posts the works that he has been purchasing from other artists, some of whom are selling their art for the first time. The movement engenders mutual support, promotion, discovery, and even a little FOMO.

While these projects and programs are no substitute for the energy of gallery visits, face-to-face discussions, and in-person purchases, they provide alternative outlets for communication, education, and commerce. I hope these endeavors live on, even after we figure our way out of this in-between state.

Any creative communities or projects you’ve noticed shifting and thriving? Please share in the comments.

What Day Is It?

Time is funny. To quote Lenin: “There are decades where nothing happens; and there are weeks where decades happen.”

As we find ourselves in the intra-pandemic state of COVID-19, the perception of time seems to ebb and flow. No longer is the clock the timekeeper. Instead, events of non-uniform length and subjective importance seem to be measuring time. Our strange, new normal may be exacerbating these divergences (ever present, though often unobserved). I’ve seen many comments on Twitter about time and conflicting reactions to its pace.

Depending on our familiarity with what is happening in our lives, time perception shifts. “We gauge time by memorable events and fewer new things occur as we age to remember, making it seem like childhood lasted longer,” Dr. Santosh Kesari, neurologist and neuro-oncologist says. The pandemic of COVID-19 is a new type of event for children and adults alike (save the rare super-centenarians who were alive during the Spanish Influenza), requiring that our brains update our mental models. Bombarded with unfamiliar terms — like COVID-19, coronavirus, flatten the curve, and social distancing — our brains play catch-up, processing these novelties and integrating previously unknown behaviors into daily life. As a result, it seems like life has come to a screeching halt. At the same time, non-stop news reports, ever-changing predictions of the spread of infection, concerns about survival, and sudden loss of family and friends make life feel like it is flying by faster than we can process its events. It’s almost like time is moving at multiple speeds simultaneously.

I find it curious how time passes at an uneven pace now, depending on where my hours are spent. My outdoor hours consist of running miles through NYC or photographing its rather empty streets, while indoors I am occupied with machine-learning and time-series data analysis. Whether indoors or out, I am engaged in some activity. And yet, the speed of time fluctuates. 

In the vein of social distancing, how does the pace of time feel now that relationships with anyone outside our immediate living space is noticeably more distanced and disconnected? As we physically distance from other humans, does time slow down or speed up? Perhaps it does both. It might feel like time has slowed to a near-stop while we wait to hug family and friends, wondering when we will next see them in person. And when we do meet again, it might feel like time has flown by so quickly (nieces and nephews growing taller, parents looking a bit more aged than when we were last together). 

If events govern the measurement of time, COVID-19 has demonstrated the various ways that time can move and bend, revealing its non-linear and non-sequential attributes. Will we be able to keep account of all that has happened and when and how, or will it all just blur together into an event collectively known as COVID, stripped of its details? While forgetting may be the path of least resistance (and can even be beneficial for our mental health), it will be important to recall our COVID experiences in order to proactively address similar situations. History does not necessarily repeat, but it does rhyme. And yes, there will be a next time.

from Cuomo’s PowerPoints are all of us right now